Culture

Vertigo Theatre - Wait Until Dark poster

(As always, poster image stolen directly from the Vertigo website. The volunteer ushers were super engaged last night and warning people about using their cameras in the theatre. And then I knocked my program onto the floor and it was almost gone forever – like, literally, a man almost stole it from the floor until my mom swiftly said “oohhh, thank you so much for picking that up, she knocked it on the floor!” so he stole someone else’s instead – and that was just way too much program-ness.)

Guys, I’m having all the anxiety about not blogging. The problem is, lately I haven’t really been doing anything new and fun. I pretty much exclusively go to Cibo or Earls during Happy Hour if I’m going to read a book and drink wine. I go to barre or yoga classes (I’m actually doing a challenge at Junction 9 right now and it’s taking up a lot of my time). I write a play with my friends. It’s a busy and fun life that I have, but it’s pretty repetitive.

So, I’ll work on changing that up for you, dear readers. And in the mean time? I have a play review!

Last night, I hit up the Opening Night of Vertigo Theatre’s Wait Until Dark. Those of you who have read my blog before will know that I can be a bit bratty when it comes to dealing with bozos, so you can probably guess that I love opening nights. Minimal bozos, just lots of members of the theatre community and theatre enthusiasts! (Also, there is usually food after the show. Last night I got to eat a soft pretzel and a shooter glass of Village Ice Cream’s Salted Caramel ice cream. It was awesome.)

I’ll start by being honest and admitting that I always get I’ll Be Back Before MidnightWait Until Dark and Gaslight confused. Which is actually kind of nice, because even though I’ve seen all these plays before, I never remember which plot elements belong to which show and it’s always like seeing a whole new show. Woo hoo! For the record, Wait Until Dark was adapted into a movie starring Audrey Hepburn and involves a blind girl and the criminals who try to take advantage of her after luring her husband out of their shared apartment.

I feel like my description of the show is super creepy – and the show is super creepy, in an environment-setting, suspense-building, slow burn kind of way. The play was written fifty years ago but it really does feel like a modern thriller. So, I think I’ve alluded to the fact that this play is produced fairly often and that begs the question – why see this production?

1) This is a new adaptation! So cool! I actually didn’t realize this until I was reading the program last night – because my reading comprehension is good, I guess? And I didn’t notice the words “adapted by” in anything I read earlier? Anyway, Jeffrey Hatcher wrote this adaptation, transferring the era from the 60s to 1944 and adding a few other twists and turns along the way. Pretty cool for any viewers who feel like they aren’t interested in seeing a story they’ve already seen – and the era change absolutely works. Admittedly, I get this plot confused with other plays so I may not be representative of a truly educated viewer, but for myself, at least, I wouldn’t have thought that the show didn’t originally take place in the 40s if I hadn’t read it.

2) This is the most Calgary show that ever Calgaried and it makes me so happy. Simon Mallet did his MFA at U of C right around the time that I did my BFA and he has put together a team of Calgary-based talent – people I know and love, including one of my former campers from the Pumphouse DDC in her professional theatre debut! I’m just so proud of this entire team and it warms my heart. (Yes, I’m even proud of the people I only know because I’ve seen them in lots of shows. Shut up. I feel like I know them. It counts.)

… I’m sorry I told you to shut up.

3) Anna Cummer is so wonderful as Susan. She really has to carry the show and she’s so sassy and spunky and wonderful. I spent the entire show rooting for her and knowing she could put it together and save herself… even when she wasn’t quite there yet. I can see how there might be a tendency to play this role as overly weak or tragic but it doesn’t go there at all. She is such a wonderful heroine.

It’s a strong showing from Vertigo Theatre. The show runs until February 19th and tickets can be purchased by visiting their website or calling (403) 221 3708. Do it, yo!

Culture

boom-final-rgb

(Note: This image comes directly from the Theatre Calgary website, as a girl can only take so many pictures in the semi-darkness of her wine and program in her theatre box before it gets weird and her readers get tired of looking at it.)

Much like Theatre Calgary’s first offering of the season, BOOM crazy surprised me with how much I enjoyed it. I did a little reading on the TC website, as well as a little exploration of Rick Miller’s Official Boom website prior to seeing the show and I just felt like I couldn’t get a grasp on the show. The description made me think of a theme park variety show and, to my mind, did not do it justice.

Of course, I was wrong. Why do I even try to read about shows beforehand? The reason I love theatre is because it hits you in a visceral way, touching something inside you, that is hard to put into words so why do I expect copy written for a website to communicate that?

BOOM is a tapestry, not a variety show. It is a mixture of the sweeping world history between 1945 to 1969 and the personal stories of important baby boomers in the playwright/actor’s life. It is a collection of music, stories, imitations, news clips, advertisements, cultural touchstones. I personally don’t truly have a baby boomer in my life – my mom was born in 1961 so she didn’t remember any of the events referenced in the show, but my grandparents were already well grownup and established by 1945 – but I do love history and I was able to give myself over to the three characters that were growing up over the twenty years the show covers.

I don’t know that I can truly put into words what seeing BOOM is like any better than the Theatre Calgary website can – the show is running until October 29th, though, and tickets are available on at Theatre Calgary. I highly recommend seeing this one for yourself, I can guarantee it is like no other show you’ll see at Theatre Calgary this year. When picking your seats, I would pick ones in the centre section of the theatre (even in balconies) rather than any of the side boxes – though I loved being away from the riff-raff, I felt like I missed the full experience of some of BOOM’s projections from my angle.

Disclaimer: I know it sounds like I love every show I see. This is not the case… I just prefer to write about the shows that I love so that I can get other people to see them which thus gives me someone to talk to about them. I’m really terrifically selfish in that way.

Culture, Stuff About Me

secondary cause

(Caption: This is the face of a girl who slept for four hours during the daytime on Tuesday because she was sent home from work, and went on to kill it at the theatre that night. This is the magic that theatre does.)

I’m in a play!

Let me be real here – this is not a review for the play that I am in. Mostly because I think the show is pretty great but it is nigh impossible to be objective about a play that you are in. This also isn’t really an advertisement or promotion for the show that I’m in – I’ve been doing a ton of that on social media, even including a “tech week selfie” game with Claire since we always seem to manage to be in tech week at the same time. So, what is this? I guess it’s really more of an ode.

I can’t remember the last time I was so thrilled to be in a play – maybe when I did Scorpio Theatre’s world premiere of Blood of the Red Queen, had a role rewritten for me and knew that I was a part of something that was going to just take off? I don’t know… I’m always pleased to be in a play and I always love it (otherwise I wouldn’t do it), but this time I’m just thrilled.

Part of it may be that I was asked to step into this show to fill a role once they lost an actress after rehearsals began – I hadn’t met the director before so I did do a bit of an audition, though nothing like the ones I’ve written about before – and it’s always nice to be needed/wanted.

Another part of it may be that I’m really getting to stretch myself as an actress. I am playing the type of role that I often get cast in (lovely and graceful) but the process hasn’t been “easy” by any means, and I appreciate that. I swing towards bubbly when I act and I’m playing a character who is on the older end of my age range so there is absolutely no room for bubbly. The show also takes place in England in 1939 (and is very British murder mystery in feel) so accents are imperative. I went to U of C, I haven’t learned accents! But I can do one now…

I think the biggest part of it, though, is that I just feel like such a part of things doing this show. I am a shy person by nature (which people always seem to mistake for my being a bit of a bitch and not just rampantly socially awkward) but everyone in this show has just made such an effort to make me not feel like the “new girl” since Day One. There is a camaraderie in the dressing room that I haven’t actually felt since university (other than during Full Circle Theatre shows, but that’s really just me gathering my friends together and going “let’s make a play!”) and I love it, even when I just sit quietly and listen to everyone else. I absolutely trust every person on that stage to pick me up and save me if I forget a line. (Oh gosh, that better not happen… knock on wood!)

I’m in a play. And even though I am going on vacation the day after it closes, I’m going to miss it when it’s done.

If you would like to see the play that has inspired such gushing from me (and hear my sparkling dulcet tones), Simply Theatre’s “Secondary Cause of Death” runs until October 1 and tickets can be purchased by calling 587-575-656 or by visiting http://www.simplytheatre.ca Come see it. It’s worth it. (This is not a promotion, I’m just happy.)

Culture

da kink in my hair theatre calgary poster

Caption: Yaaaasss, Gaga, we got a box this year! We are tired of bozos and just want to enjoy good theatre and that is what the box is for, y’all!

(Note from 2020 Erin: when the blog got hacked, I lost the photo I originally had posted here. I have no idea what I was talking about, so I have included the TC poster – but I was very excited to have a box that year.)

Fall is officially here and that means theatre season is back on in Calgary. Granted, during the summer there is a smattering of theatre offering in Calgary – Shakespeare by the Bow, the Common Ground festival and the Calgary Fringe Festival being some of the most notable – but I tend to take the summer off to regroup and nourish my artistic spirit… by reading a ton of books, laying in the sun and taking fitness classes, I guess? I don’t know… and I actually started rehearsing my current show during August this year so I’m really just rambling now.

tl;dr – Theatre is back and I’m back.

Speaking of the Fringe Festival, the first show I’m writing about this year is one of those stunning Fringe Festival success stories that every theatre artist dreams of happening for them. Fifteen years ago Trey Anthony created ‘da Kink In My Hair for the Toronto Fringe Festival because she was determined to create the type of roles she deserved to play rather than accepting the type of roles that were being offered to her – and it became a runaway hit with productions in the Princess of Wales Theatre in Toronto, across the US and London, and even a tv series. The Theatre Calgary production runs until October 1 and then transfers to the National Arts Centre in Ottawa.

In the interest of complete honesty, I was surprised by how much I related to this show. When I was a teenager, I was always trying to relate to shows that actually had nothing to do with my lovely Newmarket existence and since I was a teenager in the GTA in 2001, I sort of figured that ‘da Kink In My Hair fit into that box without ever having actually seen it. In the grand tradition of “Erin walking into the theatre with preconceived notions”, I was wrong and I’m very pleased. Bits and pieces of every one of the women resonated with me and Virgilia Griffith as Stacey-Anne absolutely stole the show, leaving me with a lump in my throat as she embodied such a real and joyous little girl. For the skeptics out there, the show does get a little bit “Fringe show”-y as it hits every single “big issue” but the performances are full of such heart and are so honest that I was able to fully put aside my inner skeptic and give in to the story.

It’s terribly on brand for me to love this show – after all, my theatre company was also developed to give a voice to all the incredible young female artists I know – but ‘da Kink was transformative and is important. To horribly paraphrase Craig Finn talking about the experience of performing music… There is so much joy in what they do up there.

‘da Kink In My Hair is a musical in its purest sense – as I remember so many of my best teachers saying, a show should happen in a musical when the feelings get too strong for mere words and you have to sing them instead. That is exactly where the songs in ‘da Kink spring from and though I didn’t walk away singing any of the tunes, I was completely carried away by each of them. (And, confession: I do sometimes catch myself humming “What am I gonna do with this hair? My hair my hair my hair…” as I try to wrangle my hair into a cute 1939 style for my show.) All the women have beautiful voices but Krystle Chance as Sharmaine in particular is just absolutely stunning. Her second act solo is a true standout.

‘da Kink In My Hair is a strong season opener and an interesting choice for a transitional season (Dennis Garnham has stepped down as TC Artistic Director and Shari Wattling has stepped in as Interim Artistic Director). It runs until October 1, 2016 and you can get tickets here… after you come to see my current show, which also closes on Oct 1 and I will be writing about very very soon.

Fitness

running wet

For the past few months, I’ve been quietly training for a 5k Night Race, using the Couch to 5K program. During May Long Weekend, my lovely and beautiful (and very fast marathon running) friend Lynn texted me to ask if I wanted to do the Night Race with her and, if there is one thing I’ve learned from my constant announcements that I was going to start running it is that I need external motivation to do anything, so I immediately said yes.

And then immediately panicked.

I’ve been announcing that I was going to start running for forever, but my cardiovascular fitness is not awesome and I still get mini-PTSD from childhood activity-induced asthma. What if I couldn’t do it? What if my cardio limit was the little 2-3 minute cardio bursts in barre classes? Yeah, I can elliptical and recumbent bike with the best of them and I can make my way through a 50 minute spin class only sort of turning bright red, but that is all totally different.

had to do it, though, because there was an end event. And someone else involved. So I quietly threw myself into the training program, without telling many people just in case I fell flat on my face.

The Couch to 5K program is awesome, though. It builds up your cardiovascular fitness in such a consistent, subtle way that you don’t even realize that you’ve improved until suddenly it tells you to run for 20 minutes straight and you can do it. It never stops being just a little challenging, which is great, because that is how you keep getting better… and also what appeals to my competitive nature.

So, I no longer dread running days. That is awesome! (I still like to wear my “I Hate Running” shirt while I run though.)

It wasn’t all fun and light – I did used to get some really serious runner’s rage at the beginning, until one of my friends at work who is an incredible runner, pointed out that I was probably running too fast and not long enough to burn off all my aggression and stress. I spent a few runs on the treadmill, figuring out what my ideal pace actually felt like, then I was ready to take it outside again.

On Thursday, the beautiful Lynn and I hit Prince’s Island Park to run a sample 5K. Full disclosure, we only managed 4.8 km before all the Pokemon Go-ers got in our way and we had to walk. Still! We were ready to go for our 5K!

Yesterday, we met at around 6pm, grabbed our race packs, picked up a ton of glowsticks (so much fun) and enjoyed a delicious dinner at The Chopped Leaf. We were double ready to go!

And then the monsoon hit, lighting so bright that it was like daylight and thunder directly overhead. We got so soaked walking to the race booth to see if it got cancelled that my mascara made me unable to see. Obviously, the race was cancelled.

So I still haven’t run a 5k.

running lame
YYCEats

Okay. Dudes and dudettes, you may or may not know that I am currently on vacay in BC for a week. I usually spend my vacations touring around places I haven’t really been to before but this year I dropped all my extra cash on London, so instead I’m just relaxing out at my parents’ place in Kimberley. It’s been a lot of reading beach trash, drinking boxed wine and brainstorming blog post ideas so I don’t fall behind again. It’s awesome but it’s probably making me lazy. I don’t want to let the Stampede fall too far in the past, since it closed on Sunday, but I am on vacay, so let’s keep it real easy and start off by talking about “Things I Ate at the Calgary Stampede” (I know, I know, be so jealous).

tophies
bbq and mikes



Pulled Pork Sandwich
At Stampede, you’ll quickly learn that there is pretty solid BBQ all over the place, specifically down the alley towards the Grandstand. How does a girl decide which barbeque stand deserves their well-earned $10? If you’re me, it’s the one with all the trophies, obviously! Most of these trophies are actually for their brisket but pulled pork is one of my very favourite meals (actually, I’m a sucker for pulled meats in general) so I went for it along with a Mike’s Hard Root Beer. Which?! Rootbeer beers are all the rage right now according to my dad who is “in the industry” (read: has a retirement job working at a liquor store) and yeah this tastes 100% just like root beer. So dangerous!

elvis


The Elvis
Guys, I get it. I now know how Elvis became Fat Elvis because I too have experienced the deliciousness that is a bacon, banana and peanut butter sandwich – in my case from The Peanut Butter Cupboard food truck. I stood in the rain for this guy and did not regret it at all – the perfect picture of salty-sweet. I might be able to recreate it at home but instead, I might just try to stalk this food truck around town instead… It’s summer in Calgary, they must be everywhere, right!?

mini donuts


Mini Donuts
And I rounded out that day of Stampeding with a little bag of mini donut – aka little clouds of sugary heaven. I somehow managed to save half for the next day and refreshed them at work by microwaving them for just 15 seconds. All my friends were so jealous.
Note: Don’t be fooled by imitators. The only place to get mini donuts is at the big yellow stand between the Big Four and BMO Centre called “Those Little Donuts”. I repeat do not go anywhere else.

Waffles and Chix


Fried Chicken Poutine
Another day kicked off with this not-so-little goodie from the Waffles & Chix stand. Waffles & Chix are actually all over the place in Calgary between their food truck and their booth at the Crossroads Farmers’ Market. But my mom and I enjoyed the fried chicken poutine a few years ago and it was so good that I have never wanted to taint the memory. This year we finally did and it was just as delicious as we remembered – all melty cheese curds and a bit of shredded cheese to fill it out, white gravy and delicately breaded fried chicken. Note that it is definitely a sharing portion. And that I was so excited to eat it that I didn’t take a picture… also, I was busy helping the little boy sitting next to me not lose his plate. It was a dramatic time. The picture above is blatantly ripped off the internet.

cheese pairing


Cheese Pairing
After all the craziness of the midway, Stampede Show Band and snowmobiles hopping over jumps (to be explained in a later post…), my mom and I needed a little Zen so we hit up the Co-op Wine Garden and enjoyed a little wine flight with cheese pairings. We have been obsessive with trying to pair our cheese and wine ever since (and we definitely have been carrying that little pairing card around with us) so that speaks highly to the success of it, yes?

nachos


Nachos and Beer at The Station
Did you know that there is a small beer garden with 20 types of wings, beer on tap and table service in the basement of the Big Four? (There’s also a ton of excellent food options down there, including some truly remarkable tacos from Anejo.) My mom recently had a cyst rupture in her knee so she needs regular walking breaks and we decided to just check out what was what in order to find a 30 minute sitting break. What a great choice! I was so thrilled with the table service, I couldn’t stop telling everyone how excited I really was. I’ve always found that wings are a lot of work for little pay-off and the nachos looked so incredible being carried by so we decided to go with them instead. They were a little bit on the spicy side but the full on potato slice they were made on were incredible and sitting in the Station was such a nice relaxing note to the end of our stampede day. Check it out next year.

mini donut popsicle


Mini Donut Popsicle
Okay, despite the fact that it was raining/hailing and I was wearing shorts, my day actually ended with a mini-donut popsicle. Last year I ate about four of these beauties – the dulce de leche base is so decadent without being overwhelming and y’all already know how I feel about mini donuts – and even though it was not popsicle weather, I couldn’t resist! Even if it meant I had an old lady comment about my shorts and popsicle combo… whatever, I gotta do me!

Seriously, mini donut popsicles, beer in the basement, crazy poutine… do it all. But don’t go to the wine garden. That’s just for me.

Note from 2020 Erin: Somehow I lost all the pics for this post in the Great Hacking of 2020. I dunno, dudes.

Culture

Two Thursdays ago my mom, Bryan and I went to see the opening night of Vertigo Theatre’s season closer Sherlock Holmes and the Case of the Jersey Lily. Normally this would be a weird time to write about it – the show is still on but it would only have a week to go so it may be hard to get out to see it. However, this show has actually been so well received (it just won a Critter award!) that it has been extended until June 18 (which incidentally is also the day my show closes…)

Sherlock Holmes and the Case of the Jersey Lily
Program Image belongs to Vertigo Theatre

Sherlock Holmes and the Case of the Jersey Lily was a bit of a revelation to me. I’ve seen the team of Haysam Kadri and Karl Sine play Holmes and Watson before, and I’ve seen Haysam in a variety of roles over the last nine or so years… but I don’t think I’ve ever seen Haysam be quite so funny. He – and the entire cast, really – was obviously having a blast onstage, and the enjoyment is infectious.

If Sherlock Holmes isn’t necessarily your jam, you still may love this show because it is peppered with real historical Victorian London references and characters. Paul Welch’s Oscar Wilde looks astonishingly like the real deal and lights up the stage with his witticisms. The script tends to stick to Wilde’s more popular works for its referential humour so even casual fans will be “in on the joke”.

I can’t imagine that I’m in the minority when I say that I love clever humour that throws around cultural references. This past month of theatre in Calgary has absolutely fed into this love and I hope that it is a trend that will stick around for awhile.

And if you’re on the fence about Holmes at all, let me just say… I was offered a ticket to see it again last Friday and I deeply considered it. I decided not to take it though so someone who hadn’t seen the show could have the opportunity. Soooo…

(Please note: This show did just win a Critter award for Best Direction of a Play so that may increase interest in seeing it. You can get tickets by visiting the Vertigo Theatre website.)

(Double please note: I know today is Tuesday… Thursday is the day before my show opens and if I thought I was stressed before… At least Tuesday still alliterates, guys!)

Life, Stuff About Me

Y’all, I may have finally over-committed myself. I always love to have a very full life, but I’m starting to feel a bit of the anxiety that always comes along with too much fullness. I’ve become fairly good at recognizing this feeling quickly, but there’s not a lot I can do to reduce my commitments over the next few weeks. A few of them will fall off in mid-June and then I’ll be ready for some fun and also for some regular writing… which is fun!

But in the meantime, yesterday I accidentally put one of my earrings in my second piercing hole which I haven’t used since 2007 and I didn’t notice that I was uneven until the end of the day.

So, I can’t change the number of commitments I have, but I can stop trying to cram in any more stuff… I can also use my limited free time to engage in a little self-care and limit the anxiety.

Ways to Deal With Being Overwhelmed

Cleaning

Stock Image belongs to an Atlanta cleaning company and was the least sexy cleaning picture I could find. Troubling.
This idea probably seems counter-intuitive – cleaning is work! Work is stressful! Aren’t we trying to reduce stress!?
Well, yes, but… I don’t know about you, but when I’m busy, cleaning is always the first thing to go. Not the daily stuff like dishes, but I develop a really bad habit of just dropping and going, and the regular maintenance stuff like vacuuming and dusting just disappears. Right now, my room looks like a tornado went through it and it is incredibly stressful every time I go into it. For me at least, if I could spend half an hour setting things right, that would crazy enhance my mental state. I’m thinking sometime on Saturday…

Meal Planning

Image of meal prep belongs to Fit Mommy via Pinterest
Nothing is worse than knowing you have an hour to dash home, eat dinner, then get back out the door again for another commitment… and you have no idea what to eat. Either you have no food at home or stuff that takes actual preparation which then leads to the added stress of wasting food/money. The amount of times I’ve either spent $20 picking up sushi like the rich person I am not (SkiptheDishes is dangerous!) or just had Mr. Noodle with peanut butter for dinner…
Right now, I’m doing Fit Girl’s Guide 28 Day Jumpstart and it is a godsend. I don’t have to think at all, they lay out the shopping and prep, and the meals are quick and tasty.
Let someone else do the hard part for you and focus your mental energy on the rest of your life.

Treat Yo’ Self

Image is obvious, isn’t it? Please!
Like, at least a little bit. Find something in your week that you can do just for you.
Love “Game of Thrones”? Carve yourself out an hour per week so you don’t fall behind on your show. (You know you’ll get spoiled if you do!)
Cherish your solo podcast time? Multi-task it… listen while you’re driving, take a walk in the sun with headphones, lock everyone out of the kitchen and listen while you cook.
Want some wine? Well… yeah, why not?

Vitamin D
Actually, regardless of if you like podcasts or not, get out to take a little walk and a little sun (or fresh air at least) daily. Even 15 minutes will do a world of good… and if I can find 15 minutes in my day to get outside, you can too.

Instant Forgiveness This is something we practice in theatre but it’s good advice when you are overwhelmed too. Sometimes you’ll do what you consider to be “screwing up”. You may pick up McDonald’s instead of following your meal plan. You may forget to leave time for a run. You may have to cancel plans because you just need a night at home. Don’t beat yourself up about any of these things. It’s not a screw up, it’s just human and so are we.

Even though I’m using a lot of “you”s in this post, this is a just a sampling of the things that work for me when I’m overwhelmed. What are your best tips for dealing with the times where you’re just a little (or just a lot) overwhelmed?

Culture

Goodnight Desdemona (Good Morning Juliet) Program

Sometimes you see a show that takes you completely by surprise. For me, Goodnight Desdemona (Good Morning Juliet) was that show.

I read it in university. I’m certain I read it in university – it’s a Canadian play. It was written by Ann-Marie MacDonald (yes, the author of Fall on Your Knees) in 1988 long before Fall On Your Knees. As director Kate Newby remarks in her Director’s Note, it explores a seemingly endless list of important historical, cultural and political themes. I apparently own two copies of this play. I absolutely read this play in university… and I don’t remember doing so at all, except a vague recollection that “this play seems kind of odd”.

My vague recollection is completely wrong.

This production of Goodnight Desdemona (Good Morning Juliet) (a co-production between The Shakespeare CompanyHit & Myth and the newly re-branded Handsome Alice Theatre) absolutely proves the common refrain that plays are meant to be seen and not read. The show is equal turns clever, thought-provoking and downright hilarious.

The production also lands on so many levels. Though Shakespeare fans will have a million “Oh! I get it! I’m so clever!” moments (much of the show is written in iambic pentameter and MacDonald skillfully weaves actual Shakespearean dialogue into her own), the absolutely clear intentions and communication on the part of the five actresses in the show coupled with adept physical comedy allows audience members of any background to enjoy the show.

Oh yes, did I mention? The cast of Goodnight Desdemona is five powerhouse female actors – a virtual “who’s who” of young lady actors in Calgary – who play everything from a Henry V style “Chorus” (Julie Orton) to a swaggering Tybalt (Mabelle Carvajal) to Juliet (Genevieve Pare) and Desdemona (Allison Lynch) themselves. (Each of the aforementioned actors plays at least three different characters and it is never any doubt at all who they are. Stunning.) At the centre of it all, is Ayla Stephen as Constance Ledbelly, an academic who falls into the worlds of two of Shakespeare’s greatest tragedies as she tries to sort out the truth of the plays and the truth of herself. Ayla and I attended university together, so I’ve seen her play a dizzying array of different roles, but she really does shine when she gets to play a fish-out-of-water and lean into her comedic side. She, and, actually, all the ladies in this show, can communicate more with a facial expression than the average person can with a whole speech.

I generally wait until shows close to write about them, but in this case, I couldn’t wait. Goodnight Desdemona (Good Morning Juliet) runs until May 21, 2016 and absolutely everyone should go see it. I’ve done my best not to spoil any plot elements, but I genuinely think I could go see the show again tonight and enjoy it just as much as I did the first time even knowing how it ends. Tell your friends, get a girl (or guy) squad together, grab your lover or guilt your mom into hanging out with you and take in this show before it closes. Tickets can be purchased by visiting The Shakespeare Company’s website.

(Note: I was not compensated in any way for writing this blog post. I just really really liked the play and want everyone I know to go see it so I can talk to them about it.)

Culture

Today, I really feel like a super grown-up. My house was built in 1990, which is not old at all though it is older than my roommate for the summer, but the fixtures in the bathroom are original and the water is super hard in Calgary. So there’s a lot of calcium build up in the tub. So as I type this blog post up, I’m doing a CLR soak in the tub, on the shower head and on the faucet. Not a thrilling thing at all, but apparently I am one of those annoying people who wants backpats any time I do anything remotely grownup. (But, guys? CLR works SO WELL. Like, so well. Like my stuff almost looks brand new. I’m impressed.)

Anyway, while my really thrilling cleaning progresses upstairs, it’s time to dash out another Theatre Thursday post on another incredibly common question – “Well, how do you even get into plays?” This question, I think, is usually followed either secretly or actually outloud by “Because I think I would like to do plays!” The follow up comment is super easy to respond to – yes, you would like to do plays, they are real fun and we always want more people involved – so we’ll focus on the original question.

script

Auditions
Generally speaking, you get cast in plays by auditioning for them. Think of an audition as a job interview – you have to make the people in charge of making the decisions (usually the director, sometimes there is a producer or artistic director of a theatre company involved) want to work with you and show them that you can do what they need. Yes, even big stars have to audition to prove that they are the right person for a role… especially if they want to play something that is outside of their usual types of roles.

Auditions are all about making a good impression and standing out. There is an old, possibly apocryphal, story that floats around the theatre community about a young, unknown Barbra Streisand coming in for an audition while chewing a huge wad of gum. As the story goes, she came into the studio, stuck the gum under her chair and proceeded to nail the song… and when the director got up to remove the gum from the chair, there was no gum there. It was acting all along!

What Happens at Auditions?
Auditions fall into two basic types – a general audition and a show specific audition.

Theatre companies may choose to hold what they call “general” auditions which allows actors to audition for an entire season’s worth of shows at one time. General auditions usually take place in the spring, just after a company has released their upcoming season, and are attended by a company’s Artistic Director so they may make recommendations to the individual directors of each show moving forward. Sometimes an actor might be cast directly from a general but most often, they will be asked to come to a second audition (a “callback”) for a specific show and character. At a general audition, an actor wants to show off both their best work and a range of emotions – they may do two contrasting monologues, a monologue and a song or just one killer monologue depending on what the company requests. This is often how professional companies run their auditions.

Individual directors may also choose to hold independent auditions for their specific show – many indie/community theatre companies exclusively work with this model of auditions since their directors are like contractors who are not directly affiliated with the company. Show specific auditions can take a range of different forms.

The director may ask the actors to prepare a monologue or two, just like for a general audition, though they may request that the monologues reflect the feeling of the show. Actors also may choose their monologues very specifically to reflect a specific character and subconsciously – or very consciously – put themselves in the director’s mind for that role.

Alternatively, a director might ask their actors to prepare short scenes from the actual show, known as “sides”, so they can actually see them in the world of the play. The actor may be given the sides ahead of time, or they may be handed the side in the audition in what is known as a “cold read”. The actor may read a scene with the director/stage manager/someone behind the audition table or they may read the scene with another actor who is onstage with them and also auditioning for the play. They may just read the scene once or the director may give them something else to keep in mind when reading the scene again or they may even read the same scene a bunch of different times with a bunch of different actors reading opposite them.

An audition may even look like a combo of all of the above, where an actor does an initial audition with a monologue and then comes back for a callback to read sides for the character(s) that the director saw them as after the first audition!

My CLR needs to be rinsed off and I realize that I could talk about auditions for pages and pages so I think I will leave it there for today… And save more rambles for more Theatre Thursdays.